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The Garden of Earthly Delights (1981 film)
''The Garden of Earthly Delights'' is an experimental short film by Stan Brakhage, released in 1981. The film was partly inspired by Hieronymus Bosch’s painting of the same name.〔(The Garden of Earthly Delights ) Canyon Cinema: Film, Accessed 19 February 2011〕
==Production==
''The Garden of Earthly Delights,'' like Brakhage's earlier ''Mothlight'', is considered a "collage film."〔 It was created without the use of a camera, by pasting montane zone vegetation, such as petals, grasses and leaves, onto strips of clear film leader.〔Elder, R. Bruce (1998) ''The films of Stan Brakhage in the American tradition of Ezra Pound, Gertrude Stein, and Charles Olson,'' Wilfrid Laurier Univ. Press, p389〕 Brakhage intended the film as "an homage to (but also argument with) Hieronymous Bosch."〔
At the time I made ''The Garden (Earthly Delights )'', I was very annoyed with Hieronymus Bosch’s painting of the same name, which envisions nature as puffy and sweet, while the humans are suffering these torments. After all, nature suffers as well. As a plant winds itself around, in its desperate reach for sunlight, it undergoes its own torments. We are not the only ones in the world.〔''A critical cinema: interviews with independent filmmakers,'' University of California Press, p94 (interview dated 15 October 1998)〕 Brakhage has also cited as inspiration J.E.H. MacDonald's ''The Tangled Garden'', and the flower paintings of Emil Nolde.〔
''The Garden of Earthly Delights'' was produced on 16mm film,〔 and is intended to be screened at 18 frames per second; however, this is not possible for many 16mm projectors.〔MacDonald, Scott (2001) ''The garden in the machine: a field guide to independent films about place,'' University of California Press, p69, 398〕 The film runs for a total of 2,496 frames.〔("Putting the Garden Into the Machine: On Brakhage’s "The Garden of Earthly Delights" by Karli Lukas ) ''Senses of Cinema,'' CTEQ Annotations, 26 July 2004 - accessed February 19, 2011〕 Like Bosch's triptych, Brakhage's film is divided into three sections using alternating black and white leader backgrounds.〔
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